Film Society BuyTickets membership Sponsorship about search  
  Walter Reade Theater
  Film Comment
  New York Film Fetival
  New Director New Films
  Special Events
   
 
Currently On Sale
On Sale: 2008 Archive
MET Live: Salome
Avant-Garde
Oshima
YFF: Sonetaula
MET Live: Gala
FCS: The Other
Gr. Scr.: Scarred Lands
Latinbeat 08
Charlton Heston
FCS: Captain Ahab
Robert Gavaldón
Never Apologize
Revolutionary Romantic
YFF: L.I.E.
IN: Judge & General
FCS: The Deal
Kawakita
Gr. Scr.: Fields of Fuel
Dominique Delouche
SE: Four Hands
GS: The Cat and...
YFF: American Teen
Slovenian Cinema
SE: Magic Lantern
William Holden
SE: Jazz on a...
Satoshi Kon
IN: Critical Condition
HRW Collection
Human Rights Watch
Gr. Scr.: Biùtiful...
New Italian Cinema
YFF: Judy Berlin
Israel @ 60
Charles Boyer
Program Overview
Le Bonheur
Cluny Brown
Conquest
The Earrings of....
The First Legion
Gaslight
History Is Made...
Hold Back the Dawn
Love Affair
A Woman’s Vengeance
Gr. Scr.: Nausicaä
Jennifer Jones
SE: Robert Frank
SE: Jerry Schatzberg
SE: Joachim Trier
1968: Intl. Perspective
Romanian Cinema
Met: La Fille du Régiment
SE: Ned Rorem
GS: The Kid Brother
YFF: Le Boucher
Gr. Scr.: Mountaintop...
IN: Phyllis and Harold
NYAFF 2008
SE: Dreams...
SE: On the Street
Met: La Bohème
ND/NF Classics 2008
Gr. Scr.: Garbage...
Met: Tristan und Isolde
Thorold Dickinson
Met: Peter Grimes
Infernal Machines
Rendez-Vous 2008
Green Screens: Flow:...
Met: Manon Lescaut
YFF: Harold and Maude
Film Comment Selects
IN: From the Ground Up
SE: Two Laws
GS: Chang: A Story...
Envisioning Russia
YFF: The Ice Storm
NYJFF 2008
Celebrate Alex Corti
NYJFF JM Screens
Met: Macbeth
SE: City of Men
DOC 2008
Met: Hänsel and Gretel
On Sale: 2007 Archive
On Sale: 2006 Archive
On Sale: 2005 Archive
Archive 2005 - To April
Archive 2004 - WRT
Archive 2003 - WRT
Archive 2002 - WRT
Archive 2001 - WRT
Archive 2000 - WRT
Archive 1999 - WRT
Archive 1998 - WRT
Archive 1997 - WRT
Archive 1996 - WRT

Charles Boyer and the Art of Seduction
May 23 – 27, 2008

Charles Boyer on the Fishko Files on WNYC

Few actors can boast an international career as enduring as that of Charles Boyer. Like his British counterpart James Mason, the Gallic star possessed an extraordinary voice, a purring caress that could also dismiss with chilling hauteur. Boyer’s looks were less spectacular than Mason’s: his downcast glance, the amused curl to his lip, the thinning hair and his signature throbbing temple which augured small storms were not the attributes of a successful leading man. Yet that is exactly what he was for several generations, before becoming an in-demand character actor. He attracted most of Hollywood’s top female stars—Garbo, Dietrich, Dunne, de Havilland, Bergman and even the fledgling Jennifer Jones, whose May-December romance with Boyer is the crux of Lubitsch’s Cluny Brown.

When cast as gallant, suave, ironic lovers with a dark side, his performances were sometimes filled with a streak of malevolence. With Jean Arthur in History Is Made at Night, he showed his most romantic, fatalistic side. With Bergman and de Havilland he was the quintessential heatless seducer, showing signs of remorse only when it was too late. But in romantic comedies like the matchless Love Affair co-starring Irene Dunne, he was tender and playful, finding a sympathetic partnership that brought out all his contradictory qualities.

Like many European artists, he found life in America congenial. He remained a proud Frenchman, founding the French Research Foundation in Los Angeles, which promoted French history and culture, an interest that earned him an honorary award from the Academy in 1943. For over 40 years, this homebody was married to British actress Pat Paterson. After her death in 1978, he took his own life. Like many of his protagonists he was a man of mystery and melancholy. As Dunne said of him, “Charles had genuine warmth, like a fire that starts slowly. He was the kind of log that was difficult to ignite but then would burn so beautifully.” The warmth that he could project as well as the diamond-hard cruelty and above all his consummate skill as an actor make him a legendary star to admire even now, 30 years after his death.

For a listing of the films in the series go to Program Overview.

Click on Calendar to view the schedule, film descriptions and to purchase tickets online.

Grateful thanks to Ian Birnie, director of the Film Department at the Los Angeles County Museum of Art, which will present a Boyer program in July. The Jennifer Jones and Charles Boyer series were programmed by Joanna Ney.

Back to Top