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One of the most heatedly debated films at last year’s Cannes Film Festival, Flanders begins among the sprawling, tilled farmlands of the northern reaches of France. The young people work their ever-less-profitable farms, go to local bars, and have sex—suddenly, rather emotionlessly, at times brutally. But they also go to war. This time, the fighting is in a distant desert land as visually distinct from their home turf as it could be. Strategies are meaningless; battles are exercises for both sides in brutality. And then we are back in the fields that began the film…
Always controversial, director Bruno Dumont (La Vie de Jésus) once again brings us into a very human heart of darkness. The move from plowed fields to battlefields and then back again gives the film an almost seasonal feeling, as if what he is depicting, in all its horror, is part of a very natural cycle of life.
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Sun Mar 4: 6:30
Mon Mar 5: 3:45 & 9
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