Film Society BuyTickets membership Sponsorship about search  
  Walter Reade Theater
  Film Comment
  New York Film Fetival
  New Director New Films
  Special Events
   
 
65th Street Construction
On Sale Now
1968: Intl. Perspective
SE: Joachim Trier
SE: Jerry Schatzberg
SE: Robert Frank
Jennifer Jones
Gr. Scr.: Nausicaä
Charles Boyer
Program Overview
Le Bonheur
Cluny Brown
Conquest
The Earrings of....
The First Legion
Gaslight
History Is Made...
Hold Back the Dawn
Love Affair
A Woman’s Vengeance
Israel @ 60
Ongoing Programs
Film Comment Selects
Young Friends of Film
Green Screens
Browse Calendar
Past Programs
Furman Gallery
Theater Rental
Theater Information
Press Office
Sign up for FSLC ReelNews

Charles Boyer and the Art of Seduction
May 23 – 27, 2008

Few actors can boast an international career as enduring as that of Charles Boyer. Like his British counterpart James Mason, the Gallic star possessed an extraordinary voice, a purring caress that could also dismiss with chilling hauteur. Boyer’s looks were less spectacular than Mason’s: his downcast glance, the amused curl to his lip, the thinning hair and his signature throbbing temple which augured small storms were not the attributes of a successful leading man. Yet that is exactly what he was for several generations, before becoming an in-demand character actor. He attracted most of Hollywood’s top female stars—Garbo, Dietrich, Dunne, de Havilland, Bergman and even the fledgling Jennifer Jones, whose May-December romance with Boyer is the crux of Lubitsch’s Cluny Brown.

When cast as gallant, suave, ironic lovers with a dark side, his performances were sometimes filled with a streak of malevolence. With Jean Arthur in History Is Made at Night, he showed his most romantic, fatalistic side. With Bergman and de Havilland he was the quintessential heatless seducer, showing signs of remorse only when it was too late. But in romantic comedies like the matchless Love Affair co-starring Irene Dunne, he was tender and playful, finding a sympathetic partnership that brought out all his contradictory qualities.

Like many European artists, he found life in America congenial. He remained a proud Frenchman, founding the French Research Foundation in Los Angeles, which promoted French history and culture, an interest that earned him an honorary award from the Academy in 1943. For over 40 years, this homebody was married to British actress Pat Paterson. After her death in 1978, he took his own life. Like many of his protagonists he was a man of mystery and melancholy. As Dunne said of him, “Charles had genuine warmth, like a fire that starts slowly. He was the kind of log that was difficult to ignite but then would burn so beautifully.” The warmth that he could project as well as the diamond-hard cruelty and above all his consummate skill as an actor make him a legendary star to admire even now, 30 years after his death.

For a listing of the films in the series go to Program Overview.

Click on Calendar to view the schedule, film descriptions and to purchase tickets online.

Grateful thanks to Ian Birnie, director of the Film Department at the Los Angeles County Museum of Art, which will present a Boyer program in July. The Jennifer Jones and Charles Boyer series were programmed by Joanna Ney.

Back to Top