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“Views from the Avant-Garde, has become, for aficionados of experimental cinema, a tradition in its own right...There is brilliantly challenging new work of course – in particular in shorts gathered under the rubrics Time of the Signs and still wave – but an elegiac tone predominates....[Bruce Conner's work is] a reminder that the boundaries among collapse, sculpture, cinema and poetry are fungible and porous, and also that this country has occasionally produced artists whose imaginations defy limitation and convention with startling ease....[In girum imus nocte et consumimur igni is] an exclusive but nonetheless heartfelt memoir of lost aesthetic passion and political commitment...[RR is] a study in cinematic geometry that also evokes the mythology and history of the American continent. Occasionally, under the clacking of the wheels and the roar of engines, you hear what must be a car radio, and what you hear – a famous speech by Dwight D. Eisenhower, a Woody Guthrie song, a baseball game – strenghens the sentimental tug of what you see. Which is one magnificent, old, perhaps obsolescent technology – film – paying tribute to another.” - A.O. Scott, The New York Times
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