FSLC announces details for A LIFE LESS ORDINARY: THE FILMS OF JOAQUIM PINTO, Aug 8-12

Posted by on 6.18.2014

THE FILM SOCIETY OF LINCOLN CENTER ANNOUNCES DETAILS FOR
A LIFE LESS ORDINARY: THE FILMS OF JOAQUIM PINTO
August 8-12

Pinto’s latest film What Now? Remind Me opens theatrically for an exclusive one-week run on Friday, August 8 at the Film Society of Lincoln Center


New York, NY (Thursday, June 12, 2014) – The Film Society of Lincoln Center announced today the details for the upcoming series A Life Less Ordinary: The Films of Joaquim Pinto (August 8-12), timed to a one-week exclusive theatrical run of the director’s latest film, What Now? Remind Me, beginning on Friday, August 8. This first U.S. retrospective of Pinto’s work includes most of his films as a director to date along with several collaborations that are touchstones in his rich and singular career.

A sound recordist and designer turned producer and director, Joaquim Pinto has collaborated with some of the greatest filmmakers of the past few decades (including Raúl Ruiz, Werner Schroeter, and João César Monteiro). His own films, unseen for years even in his native Portugal, are major achievements in their own right—a Portuguese critic recently described him as “the heart of Portuguese cinema for most of the last 30 years.” Deeply personal, combining image and sound in singularly sophisticated ways, Pinto’s work concerns both the cosmic and the carnal—the domain of the sacred as well as of the flesh.

On Friday, August 8, the Film Society will open an exclusive one-week run of the 51st New York Film Festival selection What Now? Remind Me in conjunction with the retrospective. The film emerged from a year in which the director—documentarian, producer, sound designer, and Lisbon film scene stalwart—endured an experimental clinical trial for HIV patients. Although the film doesn’t flinch at describing the pain and despair of chronic illness, it remains above all a testament to the joys of a fully lived life, and to the inseparability of art and life. Darting between vivid scenes of the present and bittersweet recollections of the past, What Now? reveals Pinto’s day-to-day existence with his beloved husband, Nuno, and reaches back to his artistic coming-of-age, capturing a love of cinema that led to a wide network of friendships and collaborations. Confessional but never solipsistic, looking beyond individual experience toward history and the world, this moving film becomes an all-encompassing meditation on what it means to be alive.

Richard Brody of The New Yorker said: “The camera desperately embraces faces, landscapes, flowers, and even more ordinary things as if in a farewell gaze; a dirty windshield seems as much of a wonder as the lush fields that it frames. The mind itself is Pinto’s subject; double exposures and other effects evoke fantasy and derangement, and classical music on the soundtrack seems to surge forth spontaneously from the depths of his unconscious.”

Winner of the Jury Prize at the 2013 Locarno Film Festival. A Cinema Guild release. Schedules and showtimes will be available closer to the opening. Check filmlinc.com for updates. 


A LIFE LESS ORDINARY: THE FILMS OF JOAQUIM PINTO
FILMS, SCHEDULE & DESCRIPTION

The Cannibals / Os Canibais
Manoel de Oliveira, Portugal, 1988, 35mm, 99m
Portuguese with English subtitles

A sui generis marriage of opera and cannibalism, this film (on which Pinto worked in the sound department) sets out to turn opera on its head, just as Oliveira had done with theater in earlier films like 1986’s My Case (which Pinto also did the sound for). When high-society Marguerite marries an aristocratic viscount despite the protestations of her plot-hatching ex-lover, Don Juan, mounting tensions boil over in truly bizarre fashion as Marguerite’s new husband reveals an unbelievable secret. A work that initially presents a veneer of stately respectability before racing off in strange and hilarious directions, The Cannibals is among Oliveira's most underrated and entertaining films.
August 11, 7:00pm

The New Testament of Jesus Christ According to John / O Novo Testamento De Jesus Cristo Segundo João
Joaquim Pinto & Nuno Leonel, Portugal, 2013, DCP, 128m
Portuguese with English subtitles

One of Portugal’s most prominent and recognizable performers, Luís Miguel Cintra (a frequent player in the films of Manoel de Oliveira) reads the Gospel of John as images of natural splendor fill the screen. Providing no context outside of the gospel itself and letting the gravel and rhythm of Cintra’s voice take center stage, Pinto and Leonel find a soulful and familiar yet mysterious juxtaposition of words and images. In their directors’ statement, Pinto and Leonel write: “We are not theologians, nor do we belong to any religion, but just like everyone else, from those who call themselves Christians to those who declare themselves to be atheists and ‘free thinkers,’ we are all irrevocably steeped in twenty centuries of clericalism and Christian culture.”
August 9, 12:30pm

Rabo de Peixe
Joaquim Pinto & Nuno Leonel, Portugal, 2003, digital projection, 77m
Portuguese with English subtitles

Decisive shifts in the oceans have caused significant problems in the eponymous village in the Azorean archipelago, where fishing has long been a tradition and an essential livelihood. Pedro is a young man confronted with the problem of how to carry on despite this crisis (and the inherent dangers of working at sea). Pinto and Leonel follow Pedro over the full, yearlong cycle of seasons, capturing the rhythms of life and work in a changing community.
Screening with:
Sol Menor
Joaquim Pinto & Nuno Leonel, Portugal, 2007, digital projection, 7m
Portuguese with English subtitles.

This contemplative piece, an exploration of time’s passage and the permanence of nature, sets Beethoven’s “Sonata em sol menor” against images of farmers tilling the soil and flowers carried along by a brook.
August 8, 5:00pm
August 10, 8:00pm

Recollections of the Yellow House / Recordações da Casa Amarela
João César Monteiro, Portugal, 1989, 35mm, 122m
Portuguese with English subtitles

Pinto served as a producer on the late Monteiro’s masterpiece, a landmark of Portuguese cinema. This singularly morbid and perverse comedy chronicles the misadventures of João de Deus (played by Monteiro himself), a grizzled, depressive bachelor who lives in a seedy boarding house run by a tyrannical landlady. Equal parts Chaplin’s Little Tramp and Dostoevsky’s Underground Man, João battles possibly imaginary bedbugs and indulges his erotic fetishes while ruminating on illness and the prospect of death. Amid the deadpan hijinks and bleakly absurdist perspective, the director’s musical way with sound and image is evident everywhere.
August 10, 5:30pm

Tall Stories / Uma Pedra no Bolso
Joaquim Pinto, Portugal, 1988, 35mm, 91m
Portuguese with English subtitles

Virtually unseeable for the last 25 years due to rights issues, Pinto’s beautiful feature-length debut is a coming-of-age tale about unconventional friendships and burgeoning sexuality. As punishment for his lack of interest at school, 12-year-old Miguel is forced to spend his summer vacation at his aunt Martha’s modest seaside boarding house. Upset at first by the prospect of staying in a place where nothing ever happens, the young boy befriends Luisa, a waitress who teaches him to dance, and João, a local fisherman. But the arrival of another guest, the mysterious Dr. Fernando, initiates a series of events that will disrupt the hotel’s equilibrium and Miguel’s peace of mind.
August 8, 7:00pm
August 10, 3:30pm

The Territory
Raúl Ruiz, Portugal, 1981, 16mm, 100m
English and French with English subtitles

Pinto’s first sound-recording job and perhaps the only Raúl Ruiz film that could be described as containing a story “ripped from the headlines,” this philosophical horror flick (co-written by Gilbert Adair) tracks the descent of two American families into cannibalism during a camping trip in the south of France. Celebrated upon its release for the strangeness of its theological vision (reminiscent of that of former Ruiz collaborator Pierre Klossowski), The Territory explores the body as a site of desire and violence with Ruiz’s signature touch, yielding a slippery work that is mortifying, mystifying, and surprisingly funny.
August 12, 7:00pm

Twin Flames / Das Tripas Coraçao
Joaquim Pinto, Portugal, 1992, 35mm, 70m
Portuguese with English subtitles

Redheaded twins Armando and Beatriz always dreamed of being firefighters but during a rainy, uneventful winter they find themselves spending less time putting out infernos than they do helping neighbors who’ve locked themselves out of their apartments. This is how Armando meets a pretty young woman with whom he begins a tentative courtship. But soon a rift grows between the siblings and, spurred by Armando’s exaggerated stories about his nascent relationship, Beatriz begins experiencing aural hallucinations that can only be remedied through music and, finally, the love of a stranger. Pinto made this impassioned fairy tale as part of a series of films about the four elements.
August 9, 5:00pm

Where the Sun Beats / Onde Bate o Sol
Joaquim Pinto, Portugal, 1989, 35mm, 88m
Portuguese with English subtitles

Pinto’s sophomore feature patiently investigates the everyday life and psychosexual vacillations of Laura (Laura Morante), a woman caught in a web of verboten romance and incestuous desire. Pinto elliptically and delicately portrays the small farming community that serves as the backdrop for the impossible relationships pursued by Laura and her brother, Nuno. The alluring cast also features Inês de Medeiros (of Jacques Rivette’s The Gang of Four and several films by Pedro Costa) as Graça, a key player in the film’s game of libidinal cat-and-mouse. A strongly atmospheric work in which torrid intrigues emerge through allusion and insinuation, Where the Sun Beats finds Pinto exploring the self-thwarting ways of desire and the expressive potential of the unspoken.
August 9, 3:00pm


FILM SOCIETY OF LINCOLN CENTER
Founded in 1969 to celebrate American and international cinema, the Film Society of Lincoln Center works to recognize established and emerging filmmakers, support important new work, and to enhance the awareness, accessibility, and understanding of the moving image. The Film Society produces the renowned New York Film Festival, a curated selection of the year’s most significant new film work, and presents or collaborates on other annual New York City festivals including Dance on Camera, Film Comment Selects, Human Rights Watch Film Festival, LatinBeat, New Directors/New Films, NewFest, New York African Film Festival, New York Asian Film Festival, New York Jewish Film Festival, Open Roads: New Italian Cinema and Rendez-Vous with French Cinema. In addition to publishing the award-winning Film Comment magazine, the Film Society recognizes an artist's unique achievement in film with the prestigious Chaplin Award. The Film Society’s state-of-the-art Walter Reade Theater and the Elinor Bunin Munroe Film Center, located at Lincoln Center, provide a home for year-round programs and the New York City film community.

The Film Society receives generous, year-round support from Royal Bank of Canada, Jaeger-LeCoultre, American Airlines, The New York Times, Stella Artois, the Kobal Collection, Trump International Hotel and Tower, the National Endowment for the Arts, and the New York State Council on the Arts.

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