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Cannes Roundtable #1

By Film Comment on May 22, 2015

Our international panel of caffeinated critics debates Cannes premieres by Todd Haynes, Apichatpong Weerasethakul, Pixar, Yorgos Lanthimos, and more

Film of the Week: Arabian Nights

By Jonathan Romney on May 22, 2015

Special Cannes edition: Miguel Gomes's six-hour, three-part reimagining of 1001 Nights is a magnificent, one-of-a-kind reckoning with hard times

Cannes Dispatch #3: The Lobster

By Eugene Hernandez on May 22, 2015

The birds and the bees: Yorgos Lanthimos's English-language debut mixes surrealism with the realities of modern courtship

Deep Focus: Tomorrowland

By Michael Sragow on May 21, 2015

Le Corbusier shrugged: Brad Bird's less-than-spectacular look at the (retro-tinged) world of tomorrow


Rep Diary: Valentine’s Day Massacre

By Malcolm Thorndike Nicholson on May 20, 2015

In anticipation of the Cannes premiere of Gaspar Noé's Love, a look back at the annual (anti-?) romantic series at Anthology Film Archives and sex on film

Bombast: Truck Yeah

By Nick Pinkerton on May 15, 2015

What's your 20, good buddy? A look at the lawless, unmistakably Western-influenced big-rig genre

Cannes Dispatch #1: Tale of Tales

By Eugene Hernandez on May 15, 2015

Fractured fairy tales: Matteo Garrone's star-studded adaptation of ancient Neapolitan kids'-lit isn't so much heart-pounding as heart-swallowing

Deep Focus: Mad Max: Fury Road

By Michael Sragow on May 14, 2015

Who runs the (post-apocalyptic) world? On George Miller's latest entry in his long-running, high-octane saga

Isaach de Bankolé: The Quiet Man Speaks

By Margaret Barton-Fumo on May 14, 2015

The Ivorian actor discusses teaching his craft, working with Jim Jarmusch, and the differences between filming in Africa versus Europe

Film of the Week: Slow West

By Jonathan Romney on May 13, 2015

John Maclean's dust-free Western is powered by non-sequiturs and a dryly comic sensibility

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Touch of Evil

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