Review: Moonrise Kingdom
By Kristin M. Jones
(Wes Anderson, U.S., 2012)
The piercing love story at the heart of Wes Anderson's latest, a paint-tube-colorful tale of childhood yearning
Online Now
Divine Rapture: The Films of Werner Schroeter
By Ulrike Sieglohr
The sublime, intensely stylized “total cinema” of Werner Schroeter, the flamboyant dandy who was the New German cinema’s best-kept secret
Site Specifics: Gravity Hill NEWSREELS (The extended version)
By Jesse P. Finnegan
Free Assembly
The people power of Occupy Wall Street, distilled
Review: The Color Wheel
By Dan Sullivan
(Alex Ross Perry, U.S., 2011)
Sibling rivalry, social immobility, and schadenfreude
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Blog
Welcome to the New Film Comment Online
By on 5.17.2012
Forget everything you thought you knew about this website...
Foundas on Film: The Avengers and Best Exotic Marigold Hotel
By Scott Foundas on 5.4.2012
Cinema for the age of the super PAC
Interview: Indonesian director Edwin on Postcards from the Zoo
By Nicolas Rapold on 4.30.2012
A magical realist second feature from Edwin, at the Tribeca Film Festival
Together at Last: The Whitney Biennial 2012 Film & Video Program
By R. Emmet Sweeney on 4.23.2012
Film and video of all shapes and sizes converge and converse in the main exhibition this year
Cannes Market Watch: Bergman & Magnani: The War of the Volcanoes
By Robert Koehler on 5.20.2012
What went down when Roberto Rossellini made Stromboli next door to his ex-lover
Cannes Market Watch: A Monkey on My Shoulder
By Robert Koehler on 5.19.2012
Juliette Binoche and Edgar Ramirez as a lusty, ludicrous couple
Review: Lovely Molly
By Sophie Blum on 5.18.2012
Blair Witch Project co-director Eduardo Sanchez returns to the big screen with little fanfare and lazy misogyny
Short Ends
From the Archives
The Cliché Expert’s Guide to the Cinema
By Gilbert Adair
Gilbert Adair's taxonomy of late Seventies film-crit idées reçues
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