Hot Property: Donoma
By Nicolas Rapold
Cri de Coeur
The savvy, spontaneous digressions of Djinn Carrénard
Online Now
Festivals: SXSW 2012
By Mark Asch
The Undecided Bet
Hedging was big at Austin this year—on both sides of the camera
Discomfort Zone
By Laura Kern
The Films of Bobcat Goldthwait
With God Bless America, comedian-turned auteur Bobcat Goldthwait continues to refine the art of turning bad taste into serious fun
Site Specifics: Gravity Hill NEWSREELS (The extended version)
By Jesse P. Finnegan
Free Assembly
The people power of Occupy Wall Street, distilled
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Blog
Welcome to the New Film Comment Online
By on 5.17.2012
Forget everything you thought you knew about this website...
Foundas on Film: The Avengers and Best Exotic Marigold Hotel
By Scott Foundas on 5.4.2012
Cinema for the age of the super PAC
Interview: Indonesian director Edwin on Postcards from the Zoo
By Nicolas Rapold on 4.30.2012
A magical realist second feature from Edwin, at the Tribeca Film Festival
Together at Last: The Whitney Biennial 2012 Film & Video Program
By R. Emmet Sweeney on 4.23.2012
Film and video of all shapes and sizes converge and converse in the main exhibition this year
Cannes Market Watch: Bergman & Magnani: The War of the Volcanoes
By Robert Koehler on 5.20.2012
What went down when Roberto Rossellini made Stromboli next door to his ex-lover
Cannes Market Watch: A Monkey on My Shoulder
By Robert Koehler on 5.19.2012
Juliette Binoche and Edgar Ramirez as a lusty, ludicrous couple
Review: Lovely Molly
By Sophie Blum on 5.18.2012
Blair Witch Project co-director Eduardo Sanchez returns to the big screen with little fanfare and lazy misogyny
Short Ends
From the Archives
Leaving The Times Or: How I Came to Lose My Job as a Second-String Movie Critic
By Roger Greenspun
From the January/February 1974 issue
In the wake of the abrupt departures of J. Hoberman from the Village Voice and David Thompson from The Guardian, we take a look back at the halcyon days of print criticism... which turn out not to be that great.
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