Director blair dorosh-walther talks about the process of bringing a previously untold story to light. Her documentary Out in the Night, which promotes change in how the public views the media, will screen on June 20 at the Human Rights Watch Film Festival, followed by a discussion with dorosh-walther and the film's subjects.
Mano Khalil reflects on his process of capturing the beauty of life in his intimate documentary The Beekeeper, which screens on June 17 at the Human Rights Watch Film Festival, followed by a discussion with the filmmaker.
Berit Madsen looks back on the inspiration and filmmaking process in the creation of her documentary Sepideh - Reaching for the Stars, depicting an ambitious teenage girl in modern Iran. Sepideh will screen at the Human Rights Watch Film Festival on June 21.
Joanna Lipper's film is a study of Nigeria's past and present through its portrayal of the political and social movement to transform a corrupt culture. The film screens in the Human Rights Watch Film Festival, followed by a discussion with Joanna Lipper and subject Hafsat Abiola.
A scripted film based on an encounter with a father looking for a lost son in New Delhi, Siddharth, directed by Richie Mehta, examines the present culture of India. The film will screen at the Human Rights Watch Film Festival, followed by a discussion with Mehta and lead actress, Tannishtha Chatterjee.
Anne de Mare and Kirsten Kelly's documentary is a stereotype-breaking portrait of three homeless teenagers and the circumstances surrounding their unstable lives. The Homestretch screens at the Human Rights Watch Film Festival on June 20, followed by a discussion with the filmmakers.
New York African Film Festival director Biyi Bandele adapted Orange Prize-winner Half of a Yellow Sun into a big-screen epic. The filmmaker talks about a little-known bit of Nigerian history, working with award-winning actors, and the scepter of censorship.
FilmLinc spoke with Robert Greene ahead of this weekend's screening of Actress, which he hopes will "challenge audiences" intellectually and emotionally. The film closes Film Society's Art of the Real series.
In Part 2 of his conversation with FilmLinc Daily, Chaplin Award honoree Rob Reiner gives his thoughts on Hollywood and why he believes his films couldn't be made by studios today. He also talks about hope for filmmakers, his activism, and who he thinks needs to have a "mea culpa" moment.
Jeremy Saulnier won over his 2013 Cannes audience with the debut of Blue Ruin, about a vagrant who seeks vengeance for his parents' murder amid the backwoods of Virginia. The story of suspense and dark humor opens this weekend at Film Society.