Matías Piñeiro's The Princess of France, a contemporary reworking of Shakespeare's Love's Labour's Lost in which the protagonist translates the play into an Internet-radio opus. A clip from the NYFF North American premiere is featured here.
We spoke with John Waters just before the announcement that he'll be the subject of a full retrospective at the Film Society, the first in the U.S., called "Fifty Years of John Waters: How Much Can You Take?"
FilmLinc spoke with filmmaker Neto Villalobos about his film All About the Feathers, set to screen on Thursday, July 17 and Saturday, July 19 as part of Latinbeat.
When a director’s stylistic approach perfectly complements the content they choose to explore, it’s easy to recall the chicken/egg dilemma: does the style just happen to coincide with the content, does one serve as a natural extension of the other, or is it a purposeful confluence of elements?
Celebrated indie filmmaker Azazel Jacobs will be on hand March 18 to screen and discuss three episodes of new HBO comedy Doll & Em, which stars Emily Mortimer and Dolly Wells as troubled best friends.
The Film Society’s Eugene Hernandez spoke with Honey (Miele) director Valeria Golino at last year’s Cannes Film Festival and we followed up with her and star Jasmine Trinca ahead of the film's release here on Friday.
"Curiosity is much more interesting than anything that is associated with what they now call 'auteurism,'" the director said during a conversation with Steve Coogan about their Oscar-nominated film, part of our Free Talks series.
Leading up to this year's Rendez-Vous with French Cinema, we're celebrating post-New Wave, award-winning French filmmaker Patrice Chéreau, who died last October and whose filmmaking spanned over 30 years.