coming times:
new irish cinema

may 28 -- june 10, 1999

photo: THE CRYING GAME


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The Film Society of Lincoln Center, New York University's Glucksman Ireland House and Tisch School of the Arts present Coming Times: New Irish Cinema.

The program of films for Coming Times: New Irish Cinema was selected by Dr. Kathleen Murphy, with the participation of Dr. Patricia King, Director, and Eliza O'Grady, Assistant Director, of Glucksman Ireland House, and Julia Judge. Additional funding for the program was graciously provided by Glucksman Ireland House. We are grateful for invaluable assistance from Sunniva O'Flynn at the Irish Film Institute, Luke Dodd and Film Comment's Mark Olsen. Thanks also to Cineaste's Gary Crowdus.

Ticket prices are $8.50 for the general public, $5 for members of the Film Society and Glucksman Ireland House and $4.50 for senior citizens (weekday matinees only)

Special Events:
A special evening devoted to the particularly vital form of the Irish short film is scheduled for June 3 at 7 pm at New York University's Cantor Film Center (36 E. 8th Street; 212-998-3050).

At Ireland House, on June 6 at 2 pm, a panel discussion including director Neil Jordan, Nicholas O'Neill, producer of CRUSH PROOF; Sheila Pratschke, Director of the Irish Film Institute; Paul Power, Managing Editor, the Independent Film and Video Monthly; Johnny Gogan, director of THE LAST BUS HOME; series curator Kathleen Murphy and others TBA) will inquire into the Irishness of Irish cinema as well as its future directions.

Barnes and Noble Lincoln Square Special Event:
Broadway at 65th Street
Thurs May 27: 7-8 pm
Join us for film clips and discussion with series curator Kathleen Murphy and special guest actor Aidan Quinn. We'll be giving away free tickets to selected Irish films. For more information, phone 595-6859.




SUNSET HEIGHTS

GOLD IN THE STREETS

GOLD IN THE STREETS

THE LAST BUS HOME

I WENT DOWN

CRUSH PROOF

CRUSH PROOF

NOTHING PERSONAL

US Premiere:
SEPARATION ANXIETY
(Mark Staunton, 1997; 91m)
A gently hilarious romantic comedy powered by complicated emotional relations among a tribe of Irish young people struggling with commitment and betrayal, lust and love--on the summer's day that the first-ever divorce is going through the Irish courts. Kevin's a bespectacled dreamer (Brendan F. Dempsey) whose estranged wife Sally (Susan Collins) is a career woman who's taken up with a successful, down-to-earth type. Trouble is, she can't help falling passionately into bed with Kevin every time he drops in. Claire and Johnny (Michelle Read and Conor Lambert) fight up a storm during a wild birthday party--when his American girlfriend shows up to help celebrate. Then there's Tony, self-absorbed star of kid-TV (Morgan C. Jones) shocked to find that he might be named correspondent in Ireland's first divorce--and that his beautiful best friend may be leaving him and Ireland for married life in another country. SEPARATION ANXIETYand its delightfully idiosyncratic young cast provide a fresh, funny perspective on modern--day Irish twentysomethings. Star / Screenwriter Shelagh Harcourt will appear at the 2 pm screening on May 28.
Fri May 28: 2 pm
Tues June 1: 3 pm

TROJAN EDDIE
(Gillies MacKinnon,1996;105m)
"Harris' commanding performance [is] full of wounded arrogance ... Harris and Rea succeed in giving [their characters] an aching humanity." --Stephen Holden, The New York Times
Reality and magic intersect in TROJAN EDDIE, a film that takes its time to appreciate fast-talking wheeler-dealers, "travellers" (gypsies) and other colorful Irish dregs. John Power (Richard Harris), the white-maned, fiercely proud godfather of the gypsies, falls in love with gloriously beautiful Kathleen (Aislin McGuckin), and marries her up despite her blatant affair with a boy her own age. Meanwhile, sad sack Eddie (Stephen Rea) razzle-dazzles folks into buying anything and everything in his traveling auctions--toward the greater wealth of his boss, Power. Kathleen runs off with her dowry and lover, Eddie's sluttish wife returns to bedevil him and his daughters and Power's dumb-brute son (Brendan Gleeson) indulges in some extremely ugly violence. But, like Hideous Kinky (MacKinnon's just-released film with Kate Winslet), TROJAN EDDIE is less interested in pressing pell-mell towards a narrative climax than in savoring faces, personalities and flavorful places.
Fri May 28: 4 pm; Sun May 30: 5:50 pm

US Premiere:
SUNSET HEIGHTS (Colm Villa, 1998; 97m)
Sometime after the millennium, in a divided Derry ruled by the Westies and the Boilermen, both factions unite to track down a vicious child-killer. On blood stained ground within an ancient stone circle--the locus of innumerable knee cappings--the vigilantes execute the pedophile they take to be the killer. But the innocent old party won't stay dead--and his "resurrection" leads to an All Hallows' Eve bloodbath of epic proportions. Debuting director Colm Villa has a movieman's eye for people, places and action that stick like raw, gritty Rorschachs on the mind's widescreen. Part political parable and horror movie, SUNSET HEIGHTS unflinchingly frames localized apocalypse in a wide-angle lens.
Colm Villa is scheduled to appear at the 6:15 show on May 28.
Fri May 28: 6:15 pm; Sun May 30: 8 pm

2BY4
(Jimmy Smallhorne, 1998; 90m)
This auspicious debut of writer/director/actor Jimmy Smallhorne chronicles the passionate yet deracinated lives of a tribe of Irish emigrés trying to stay afloat in New York. Johnny Maher (Smallhorne) is a construction worker who hires out with his mates on jobs his shifty uncle (the late, great Chris O'Neill) picks up here and there. Haunted by horror-movie dreams, the repressed Maher makes dead-end love with his Irish girlfriend, then picks up a fragile street kid (Bradley Fritts) with whom he finds transient tenderness. 2BY4 sizzles with barely contained energy, generated by a remarkable young actor whose raw-boned, imploding intensity recalls early Brando or Dean; and by the unerringly poetic eye of cinematographer Declan Quinn, who envisions New York--its urban motion, spaces, light--as a constantly shaping, challenging presence.
Fri May 28: 8:15 pm
Sat May 29: 6 pm
Sun May 30: 4 pm

GOLD IN THE STREETS
(Elizabeth Gill, 1997; 94m)
Fresh over from Ireland, young Liam finds a home in a small Bronx community of young immigrants looking for "gold in the streets" of New York. Each has a dream of sorts: construction worker Owen is saving up to go home and open a restaurant; Paddy works as a gardener while wooing a rich Irish-American princess; and brooding Des, well, mostly he just dreams of something better than walking some socialite's pampered dogs. Dark shadows fall on all golden dreams, as well as the acid test of irony: wanting nothing less than America on a platter, Paddy finds himself packaged into his princess's plan to turn back time and become lady of the manor in the old country. Another, slightly more upscale saga about the difficulties of making emotional and financial ends meet in a new land, GOLD IN THE STREETS is an ensemble drama fueled by a troop of youthful talent: Carl Geary as a sensitive Candide, Jared Harris as rough 'n' ready Owen, Ian Hart as sharp-tongued Des, and Aiden Gillen as knowing Irish charmer Paddy (there's a moment of purely wicked fun when the "help" sings a soulful "Danny Boy" at a snooty Irish-American cocktail party and his high-society audience dissolves into sentimental tears).
Elizabeth Gill is scheduled to appear at the 4 pm show on May 29.
Saturday, May 29: 4 pm
Thurs June 3: 3 pm

US Premiere:
THE LAST BUS HOME
(Johnny Gogan, 1997; 93m)
THE LAST BUS HOME opens with punkette Reena (Annie Ryan) following the siren call of an electric guitar through deserted suburban streets to discover fellow outlaw Jessup (Brian O'Byrne); they are the only two people in the world who haven't headed out into the country to hear the Pope say Mass in a field! Enlisting a drummer and a bass player, the two soulmates start up a punk band called the Dead Patriots which finds some success in Dublin's 70s club scene. Enter Billy Byrne, a charismatic, sexually ambiguous musician who's just lost his deal with an English label. Sexual tensions within the group, along with Reena's growing independence and Jessup's fear of failure, cause things to come to a head, and the stage is set for a late-breaking coming of age that's both tragic and bittersweet. Gritty scenes, characters and music, but THE LAST BUS HOME never loses sight of the engaging humanity of its punkers.
Johnny Gogan is scheduled to appear at the 8:15 pm show on May 29.
Saturday, May 29: 8:15 pm
Thurs June 3: 1 pm

KOREA
(Cathal Black, 1995; 87m)
Set in rural Ireland during the 50s, a period of mass emigration and social change, the backstory of KOREA turns on Luke Moran, who went to America to seek his fortune; his death in a mysterious place called Korea has brought money home to his family. Locked in a dreadful feud with Luke's father since the Irish Civil War, John Doyle is outraged when son Eamon falls in love with grieving Una Moran. Since Eamon's future in Ireland is bleak, his father decides he should follow in the footsteps of Luke Moran, though we know--as he does not--that Korea is far from the end of the rainbow he imagines it to be. Based on a short story by John McGahern, Black's second film (the uncompromising Pigs was his debut) is a powerful drama about permanently militarized zones within nations, families and individual souls. This is Greek tragedy played out by father and son amid the darkly gorgeous lake country of County Cavan, with a stunning performance by Donal Donnelly as John Doyle.
with
HORSE
(Kevin Liddy, 1993; 31m):
Michael Barry lives with his father, eking out a meager living in the handsome harshness of the Irish countryside. When a neighbor taunts and attacks Michael, Patrick tries--unsuccesfully--to stand up for him. After the boy's father dies, Michael takes cruel revenge on the neighbor. HORSE is starkest visual and emotional poetry, with not a single extraneous moment or image to mar its bare-bones beauty.
Mon May 31: 2 pm & 6:15 pm

I WENT DOWN
(Paddy Breathnach, 1998; 107m)
A tartly written movie...a four-man comedy of errors with a rueful twist...Ireland's most successful independent film [steers clear] of Irish movie stereotypes...showing off a spare and quizzical indie spirit-- Janet Maslin, The New York Times
A blackly funny crime story / road movie in the company of Git Hynes, an intense young ex-con (Peter McDonald) and Bunny Kelly (Brendan Gleeson), who is, in Janet Maslin's words, "a great big baby of a gangster, as memorable for his sweet tooth as for his wildly unhelpful instructions to Git on how to use a gun." The journey's instigated by crime boss Tom French (Tony Doyle) who wants to find an old enemy (Peter Caffrey) who cuckolded Tom and made off with his loot. In the tradition of Tarantino, it's not the getting there but rather the savorsome talk that goes on during the trip that spices this tasty tale of unlikely friendship and long-time-coming revenge. I WENT DOWN surely fulfills the promise director Paddy Breathnach showed in his debut feature Ailsa (show at the WRT in 1994's Irish Film Festival)
Mon May 31: 4:20 pm & 8:40 pm



THE UNCLE JACK

FRANKIE STARLIGHT

STRANDED

STRANDED

THE FIFTH PROVINCE

MOONDANCE
(Dagmar Hirtz, 1995; 92m)
Adapted from the novel The White Hare by Frank Stuart, MOONDANCE is the tale of two oddball brothers (Ian Shaw and Ruaidhri Conroy), strongly bonded by the death of their father and their mother's desertion. Into their nearly pagan existence in an old house set amid the glorious landscapes of western Ireland comes an irresistible Eve, in the form of a German exchange student (Julian Brandler). As the apple of each boy's eye, this sensual young woman propels them into a modern, urban world where their relationship is strained by the hard complexities of adult life. A tough yet tender study of brotherly love, with Marianne Faithfull as errant mother, and haunting music by Van Morrison and Fiachra Trench.
Tues June 1: 1 pm & 5 pm

NY Premiere:
CRUSH PROOF aka HOOLIGANS
Paul Tickell, 1998; 91m
A modernday Rebel without a Cause set in Dublin's vanishing "pony club" subculture that draws power from its culture-shock imagery and appealing cast. Written off by a drunken father and a mother gone lesbian who wants nothing to do with her outlaw son, CRUSH PROOF's rebel ringleader lights out for a green hinterland that gives false promise of an heroic life hearkening back to the days of Irish hero Cuchulain--or Billy the Kid. He and his gang are feral urban kids done in by their own energy, energy that has no use, no place to go. A far cry from disaffected-youth movies such as Rebels of the Neon God or Trainspotting, this Irish "Western" possesses a tough realism laced with moments of unexpected poetry.
Producer Nicholas O'Neill is scheduled to appear at the 8:15 pm show on June 2.
Wed June 2: 1 pm, 4:40 pm & 8:15 pm

NOTHING PERSONAL
Thaddeus O'Sullivan, 1995; 85m
An uncompromising depiction of the cult of sectarian violence...a totally riveting drama rigorously directed by O'Sullivan....-- Variety
In 1975 Belfast, a Loyalist chieftain (Michael Gambon) works to maintain an uneasy truce with the IRA, while zealots and wannabe warriors simmer dangerously. No one who recalls O'Sullivan's uncompromising, broodingly beautiful December Bride will be surprised that there's not a hint of cliché or exploitation in this handsome, harshly moving picture of an environment eternally aflame, where every meetingplace--club, warehouse, street--is a potential tinderbox. No time for love or liking in this ironically titled film; friend destroys friend, and every generation seems doomed to be infected by internecine madness. Adapted by Daniel Mornin from his novel All Our Fault, featuring a superb cast: Ian Hart, John Lynch, James Frain, Gerard McSorley, Ruaidhri Conroy, et al.
Wed June 2: 2:50 pm & 6:30 pm

NY Premiere:
THE UNCLE JACK
John T. Davis, 1996; 80m
Jack was like a second father to me, and when he died, he left everything to me, his house, his inventions, his musical instruments, but most importantly the 8mm camera that was to change my life forever. -- John T. Davis
In this autobiographical film, director Davis (Dust on the Bible) pilots us on a haunting flight through his eccentric Uncle Jack's life and work--which in many ways gave wings to Davis's own imagination and art. The magnificent movie palaces and detailed model airplanes John McBride Neill constructed in the 40s and 50s, his idiosyncrasies, his Northern Ireland home--all are legacies that shaped his filmmaking nephew. Combining archival materials, reminiscences and dramatic reconstruction, Davis weaves a gratifyingly complex poem in praise of outlaw souls and the dangerous and rewarding process of creation.
Tues June 8: 1 pm, 4:45 pm & 8:50 pm

FRANKIE STARLIGHT
Michael Lindsay-Hogg, 1996; 105m
Directed with inspired invention and visual bravura, performed with aching integrity.... A brilliant depiction of the inevitable loss of innocence and the compensations of art.... -- Peter Keogh, Boston Phoenix
Adapted from Chet Raymo's novel The Dork of Cork, FRANKIE STARLIGHT unreels--in flashback--the eventful life story of an endearingly un-cute, all-too-human dwarf (Alan Pentony and Corban Walker). This magical-realist fable (recalling The World According to Garp) wends its way through the amorous adventures of Frankie's psychic mother (Anne Parillaud); a duo of temporary but loving fathers (Gabriel Byrne and Matt Dillon), and Frankie's hardwon discovery of the redeeming power of stargazing, love and art. A tartly charming Oedipal fairy tale about a small person who imagines his way out of an arrested childhood.
Tues June 8: 2:40 pm & 6:45 pm;
Thurs June 10: 2:45 pm

Triple Feature: Short Films
US Premiere:
STRANDED
(Ian Fitzgibbon, 1998; 25m)
Powerful and wry...brought to life by stunning cinematography and an original score-- Image
In the Middle Ages, three Irish monks try for mutual comfort in bleak, empty Iceland, the oldest practicing his masochistic faith and the youngest forgetful of God, dreaming of home. Strikingly photographed, the story of STRANDED is backed by traditional Irish music and Icelandic singers.
with
US Premiere:
BOYS AND MEN
(Seán Hinds, 1996; 40m)
A dark, intensely charged psychological pas de deux between Jack Doyle, a successful nightclub owner, and the man he viciously bullied as a boy--who has abducted Doyle to terrorize him in turn. An underground horror tale--powerfully visualized--with a chilling climax right out of Edgar Allan Poe. Hinds shows the kind of unmistakable gift for filmmaking that makes one look forward to his first feature.
and
US Premiere:
NAVIGATIO: ATLANTEAN II
(Bob Quinn, 1998; 60m)
In this dream-documentary, veteran filmmaker Quinn (The Bishop's Story) tracks down (as director and on-screen private eye) ancestral connections between Connemara song and the music of Scandinavia, the Baltic, Russia, and Tatarstan. More tongue-in-cheek visionary than domesticated documentarian, Quinn spoofs the non-fiction genre, deconstructing conventional scientific mapping in favor of personally sniffing out the imagination's rich spoor. He joyously "proves" that a major river of art and civilization continued to flow around Europe even as that "island" languished through the Dark Ages.
Ben Patton, producer of STRANDED, and Seán Hinds, director of BOYS AND MEN, are scheduled to appear at the 5:15 pm show.
Wed June 9: 1 pm & 5:15 pm

US Premiere:
THE FIFTH PROVINCE
Frank Stapleton, 1997; 89m
A whimsical delight--part homage to Hitchcock, part meditation on the intrinsic relationship between rain and romance. A gentle tale of maudlin absurdity, matricide and the dangers of typing too late into the night. -- Anthony Minghella
Best First Feature, Galway Film Festival 1997
A wild flight of the imagination into a domain of "magic, passion and possibility," the Fifth Province of Ireland. Writer Timmy Sugrue (Bryan O'Byrne) divides his time vacuuming his shabby "bed and breakfast," fending off a madly possessive mom, ogling pretty girls and confessing all to a totally fey shrink (Ian Richardson) whose "office" is a housetrailer in Timmy's front yard. One day Timmy takes off to attend a (wonderfully satirized) conference on screen storytelling, and his life, as they say, changes for good and all. A surreal fantasy that's pointedly and genuinely funny as it confronts issues of identity and individuality (and borrows some nasty bits from Hitchcock's Psycho!)
Frank Stapleton is scheduled to appear at the 7:45 pm show on June 9.
Wed June 9: 3:30 pm & 7:45 pm;
Thurs June 10: 1 pm



MICHAEL COLLINS

ANGEL / DANNY BOY

THE MIRACLE

THE COMPANY OF WOLVES

THE BUTCHER BOY

In Dreams: Neil Jordan's Irish Films
A tribute to director Neil Jordan, featuring his superb Irish films: ANGEL, THE MIRACLE, THE COMPANY OF WOLVES, THE CRYING GAME, MICHAEL COLLINS, THE BUTCHER BOY. Unreeling seductive dreams and surreal fantasies, writer/ director Jordan often immerses us in fairy-tale worlds where we must confront and sometimes embrace Otherness: the border crossings of gender, sexuality, identity, our very humanity. Film Comment magazine recently praised Jordan as "an outlaw artist not yet tamed into formula, still not broken to the box-office yoke. Possessed of that rare Irish gift for dark, wicked poetry, Jordan keeps reaching further than he can always grasp--tempting us with his strange fruit, for our wisdom and pleasure." Neil Jordan will be present to introduce several of his films and to participate in the panel on New Irish Cinema.

THE CRYING GAME
(1992, 112m)
Academy Award, Best Original Screenplay
After a harrowing episode with a prisoner (Forrest Whitaker) he had come to care about, IRA terrorist Fergus (Stephen Rea) retires from the killing game and heads for London, where he looks up and falls in love with his captive's girlfriend Dil (Jaye Davidson). The IRA--in the person of ice queen Miranda Richardson--chases Fergus down for one last job. That's the plot, folks, but this exquisite film moves to the kind of mesmerizing rhythms of talk, character, connections, mystery, and courage that can never be nailed down in words. In its own way, THE CRYING GAME is another rich Jordan fairy tale: Rea's prince is a Bogartian frog transformed by the kiss of an unexpected princess--while Richardson's wicked witch aims to freeze-frame everyone in killingly inflexible categories.
Stephen Rea is scheduled to appear at the 5:50 pm show on June 4.
Fri June 4: 1 pm & 5:50 pm

MICHAEL COLLINS
(1996, 132m)
Best Picture & Best Actor Awards,Venice Film Festival
In this David Lean-like epic Jordan had long hoped to film, all of the romance, heroism and savage violence of Ireland's birth as a partitioned nation comes to the screen--superbly photographed by Chris Menges. Michael Collins (Liam Neeson) is credited as a brilliant tactician of modern guerrilla warfare in the battle against the British; a passionate Ireland-lover killed at 32 by extremist republicans, his life symbolizes both the country's hunger for independence and its internal divisions. As Eamonn de Valera, Alan Rickman creates a icy fanatic with a mind that ticks away like a computer chewing over pertinent data--the opposite of, and perhaps inimical to, Collins' large-hearted, charismatic patriotism (Kenneth Turan called Neeson's hero "a force of nature, larger than life"). The "terrible beauty" of the Easter Rising of 1916 is beautifully, painfully realized; Jordan doesn't gloss over the ugly realities of guerrilla warfare and Britain's defensive action. With Aidan Quinn as Harry Boland, Collins' best friend, and Julia Roberts as Kitty Kiernan, the woman they both love.
Aidan Quinn is scheduled to appear at the 8 pm show on June 4.
Fri June 4: 3:15 pm & 8 pm

ANGEL aka DANNY BOY
(1982, 92m)
Danny, a sax player with a rock showband, witnesses the death of his manager and a mysterious young mute girl in front of the tacky Dreamland Ballroom, and becomes obsessed with tracking down the killers--IRA? The mob? The further Danny goes for revenge, the deeper Jordan plunges him into nightmare--and the audience into a weirdly surrealistic Ireland, full of offbeat humor and irony, unpredictable action and casual violence. Stephen Rea, as a sad-eyed droop of an anti-hero, gears up for THE CRYING GAME. Chris Menges' cinematography turns Ulster's backstreets into dark, haunted alleys that swallow up souls and sanity.
Stephen Rea is scheduled to appear at the 8:45 pm show on June 5.
Sat June 5: 4:30 pm & 8:45 pm

THE MIRACLE
(1991, 97m)
In the somnolent Irish seaside town of Bray, wannabe writers Jimmy (Niall Byrne) and his best friend Rose (Lorraine Pilkington) amuse themselves by making up stories about tourists. One fiction comes glamorously alive when a mysterious stranger (vulnerably and seductively played by Beverly D'Angelo) turns out to be a singer who wholly engages dreaming Jimmy's romantic imagination--though she seems strangely interested in his widowed and alcoholic father (Donal McCann). In a boy's summertime initiation into the awesome realities of love and lust, Jordan explores the power of art, blood relations and desire. Superbly shot by Philippe Rousselot.
Neil Jordan is scheduled to appear at the 6:30 pm show on June 5.
Sat June 5: 6:30 pm
Sun June 6: 9:30 pm

THE COMPANY OF WOLVES
(1984, 95m)
A very sexy, primal re-telling of Little Red Riding Hood (adapted from stories by Angela Carter), interweaving a dreaming teenager's modernday rite of passage with a Brothers Grimm fairy tale. In a fabulous forest full of Freudian / Jungian imagery and events, budding Roisin must learn to cope with the beast within man--and woman--as her not entirely sweet old grandma (Angela Lansbury) regales her with unsettling stories about werewolves and a suave Satan who drives through the woods in his limousine. Jordan's sumptuous, exhilarating vision pushes toward the embrace of appetite, weddings with wilderness and sexuality powerful enough to spark physical shapeshifting--this is the film that anticipates his much-underrated In Dreams (1999).
Sun June 6: 4:30 pm;
Mon June 7: 3:50 pm & 8:30 pm

THE BUTCHER BOY
(1998, 147m)
Silver Bear, Berlin Film Festival
[I wanted] to reinvent that extraordinary mixture of paranoia and paralysis, madness and mysticism that was the Ireland I grew up in in the 50s. -- Neil Jordan
Francie Brady (Eamonn Owens), the hero of Patrick McCabe's stunning novel, is both apple-cheeked brat and psychotic monster, artist and killer, funnyman extaordinaire and tragic victim. Ultimately, this charismatic child represents an eruption of anarchic energy into a staid Irish village in the late 50s--as lethal to the status quo as the threatened Cold War atomic bomb or an alien invasion. Francie sees the world as though it were comic book fiction--full of bug-eyed villains, blood brothers, and a startlingly human Virgin Mary (Sinéad O'Connor)--and he always recounts his own story as though he were making it up as he went along. A suicidal mother (Aisling O'Sullivan); a drunken, abusive father (Stephen Rea); a priest (Milo O'Shea) who wants to make Francie a little girl; a best friend for life who betrays him bigtime; a bespectacled "witch" (Fiona Shaw) he must exorcize--Francie has much to endure, much to keep him busy, as he makes his troubled way into manhood. A brilliantly surreal vision of a world that's lacking in hope and imagination and the mad "changeling" who suffers from a surfeit of same.
Neil Jordan is scheduled to appear at the 6:30 pm show on June 6.
Sun June 6: 6:30 pm
Mon June 7: 1 pm



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