a rising tide:
norway's new wave

april 7 - 15, 1999

photo: WATER EASY REACH /
EN DAG TIL I SOLEN


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This series was organized by the Film Society of Lincoln Center in collaboration with the Norwegian Film Institute.

Special thanks to Jan Erik Holst, Astri Dehli Blindheim and Stine Oppegaard from the NFI for their good advice and help in arranging this series.

Thanks also to Consulate General of Norway in New York for their support.

about the program

calendar




DEATH IS A CARESS /
DODEN ER ET KJAERTEGN


GJEST BARDSEN

THE OTHER SIDE OF SUNDAY /
SONDAGSENGLER


ONLY CLOUDS MOVE THE STARS /
BARE SKYER BEVEGER STJERNENE


WATER EASY REACH /
EN DAG TIL I SOLEN


Two Norwegian Film Classics:

DEATH IS A CARESS /
DODEN ER ET KJAERTEGN
(Edith Carlmar, 1949; 92m)
A real discovery: an offbeat, fascinating film noir made by Norway's first female film director. Wealthy socialite Sonja meets handsome, muscular mechanic Erik when she drops off her car for repairs. Instantly attracted to each other, they eventually break off other relationships to be together and eventually marry--which is when of course the real problems begin. Few films have ever more effectively conveyed a kind of "male-hysteria," as Erik comes to regard his wife increasingly as an enigma whom he can't control or understand. There's an extraordinary economy of means: a trip to Capri is rendered by an umbrella, some sand, and a black mustache. Carlmar enjoyed a successful career as a director, and is equally remembered today for comedies as well as for her dramas.
Thurs April 8: 2 pm and 6:15 pm

GJEST BARDSEN
(Tancred Ibsen, 1939; 99m)
The rich legacy of folk tales and literature has provided a strong source of inspiration for Norwegian cinema. Grandson of dramatist Henrik Ibsen, Tancred Ibsen was far and away Norway's most successful filmmaker of his time, author of several much loved and frequently revived works, among which GJEST BARDSEN remains the most popular. Half Robin Hood, half Harry Houdini, the title character roams the Norwegian countryside performing daring robberies and even more daring escapes (often ingeniously disguised), until he meets and falls in love with the beautiful Anna, for whom he gives himself up in order to accept his punishment and go straight. Gjest is played by Alfred Maurstad; short, dark-haired, an unlikely-looking hero perhaps, yet an actor whose incredible energy and sly wit make him a great pleasure to watch.
Sun April 11: 4 pm;
Mon April 12: 2 pm

THE OTHER SIDE OF SUNDAY /
SONDAGSENGLER
(Berit Otto Nesheim, 1996; 97m)
Nominated for the Foreign Film Oscar in 1998, THE OTHER SIDE OF SUNDAY features a heartbreaking, star-making performance from an extraordinary young actress, Marie Theisen as Maria. The year is 1959; as psalms emanate from a small village church, rock 'n roll is blasting out of the local café's jukebox. Maria, the vicar's daughter, calculates that by the time of her confirmation, she will have spent 640 hours sitting in church--and enough is simply enough! Salvation finally seems to arrive in the form of Mrs. Tunheim, the only church elder who seems vital and alive and who gives Maria the strength to strike out on her own.
Preceded by the short film Welcome.
Wed April 7: 2 pm and 6:30 pm;
Sat April 10: 6:15 pm

ONLY CLOUDS MOVE THE STARS /
BARE SKYER BEVEGER STJERNENE
(Torun Lian, 1998; 95m)
With echoes of MY LIFE AS A DOG, Torun Lian's ONLY CLOUDS MOVE THE STARS looks at the world of 11-year-old Maria after having lost her little brother to cancer. As her parents are dealing with their own grief, Maria turns to Jacob, a young boy her age with a very peculiar way of approaching life and the world around him. The performances are uniformly excellent, and director Torun Lian's screenplay (based on her own novel) displays incredible sensitivity to the way children actually speak.
Preceded by the short film Eye for an Eye.
Wed April 7: 4 pm and 8:45 pm

WATER EASY REACH /
EN DAG TIL I SOLEN
(Bent Hamer, 1998; 95m)
Almar, a fresh-faced Norwegian sailor, dives into the sparkling blue waters off the coast of Spain to retrieve a gold watch given to him by his father--little imagining the consequences. He takes the piece to be repaired by two elderly watchmakers, who slowly, reverentially try to bring the watch back to life. Hours turn into days, and Almar's ship leaves without him, stranding him in this small Spanish port; exploring his new, presumably temporary home, Almar discovers through a few chance encounters a world he hardly imagined existed.
Preceded by the short film A Year Along the Abandoned Road.
Thurs April 8: 4 pm and 8:30 pm;
Sun April 11: 6 pm



THRANE'S METHOD /
THRANES METODE


SCHPAAA

BURNT BY FROST /
BRENT AV FROST


MENDEL

THRANE'S METHOD /
THRANES METODE
(Unni Straume, 1998; 84m)
The day after Thrane moves into his new apartment, he sees his beautiful neighbor, Molly, or Mol, for the first time down by the mailboxes. Suddenly, Thrane knows that he's going to be living there for a long time. Mol it turns out is married, and at first Thrane settles into regarding her as a kind of pure, unobtainable object of desire--a kind of '90s variation of the tradition of courtly love. But when Thrane's architect friend sees Mol and expresses his own desire for her, Thrane is challenged to act, to protect his "turf"--which Mol increasingly seems interested in entering. Director Unni Straume, whose lovely short DERAILMENT was shown at the New York Film Festival in 1993, has created an exquisite, very modern love story about the fear of, as well as longing for, happiness.
Preceded by the short film One Day a Man Bought a House.
Fri April 9: 2 pm and 6:15 pm;
Sat April 10: 8:30 pm

SCHPAAA
(Erik Poppe,1998; 77m)
The past two decades have witnessed an extraordinary new immigration throughout western Europe, and Norway is no exception. Some come for political asylum, others for a chance at better economic conditions; all are profoundly affecting Norwegian life. SCHPAAA follows the stories of five boys in Oslo, focusing especially on the relationship between Jonas and his Bosnian friend Emir. Sensing few opportunities, they lash out against a presumably hostile world with little to sustain them save their ties to each other. A tale about the loss of innocence and search for identity, SCHPAAA is a powerful addition to that movement in European cinema that confronts a rapidly changing urban reality.
Preceded by the short film Eating Out.
Fri April 9: 4 pm and 8:30 pm

FROZEN HEART / FROSSET
(Stig Andersen & Kenny Sanders, 1998; 90m)
Roald Amundsen (1872-1928) is universally considered the most important Polar explorer of all time. This Norwegian adventurer was the first to sail through the Northwest Passage, as well as probably the first person to plant a flag at the North Pole.Yet while the historic accomplishments of Amundsen's life are well known, little of his somewhat bizarre, certainly tragic personal life was known until recently. Using period footage and photographs--some of it shot on Amundsen's expeditions, and much of which has an eerie beauty--as well extracts from his letters and private diaries, filmmakers Andersen and Sanders create a rich, unsettling portrait of this profoundly contradictory national "hero," a man of extraordinary emotional excesses as well as deep, unrequited passions.
Sat April 10: 4 pm;
Sun April 11: 8:15 pm;
Mon April 12: 4 pm

BURNT BY FROST /
BRENT AV FROST
(Knut Erik Jensen, 1997; 97m)
A fascinating work born from a most unusual collaboration: that of director Knut Erik Jensen (STELLA POLARIS), considered Norwegian cinema's most experimental director, and Alf R. Jacobson, perhaps that country's preeminent investigative journalist. During WWII, Simon, a young man living in the far north, works with Soviet partisans against the German occupying forces. After the war he continues his Russian connections, and is received as a hero when he visits the Soviet Union. Moving between historical moments, showing us events, their consequences, and reflections on those events, BURNT BY FROST caused widespread debate in Norway, as it pointed up how a group of partisans had fallen victim to cold war politics.
Wed April 14: 2 pm and 6:15 pm;
Preceded by the short film Depth Solitude.
Thurs April 15: 4 pm

MENDEL
(Alexander Rosler, 1997; 95m)
A perceptive, bitter-sweet tale of growing up in a culture and society not yet your own, MENDEL follows a young Jewish boy and his family who have come to Norway as refugees in the 1950s, a time when the country had very few immigrants from anywhere. Surprised at first by the lack of polar bears in the streets, Mendel experiences cod-liver oil and fish balls as well as the missionary zeal of certain well-meaning citizens. The refugees struggle among themselves with questions of religious practice and ethnic identity, yet what binds them together is the memory of the war--a time never discussed in front of the children, yet it haunts every aspect of the community's life. One of the hits of 1997, MENDEL along with JUNK MAIL and INSOMNIA broke new ground for the reception of Norwegian cinema abroad.
Preceded by the short film Trances.
Wed April 14: 4 pm and 8:15 pm;
Thurs April 15: 2 pm



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