The Film Society
and
WE: WOMEN’S ENTERTAINMENT
presents:

A Weekend with Faye Dunaway

April 19 – April 21, 2002


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The supremely talented Faye Dunaway had two movies under her belt (and a heavy stage reputation for her performance in Hogan’s Goat) before she burst onto the international scene with BONNIE AND CLYDE in 1967. Since then, she’s had a fairly glorious screen career, consistently choosing risky material and artistically exciting collaborators.

In association with WE: WOMEN’S ENTERTAINMENT , we’re paying tribute to one of the American cinema’s finest artists on the occasion of her writing and directorial debut, an adaptation of Tennessee Williams’ The Yellow Bird. We’re showing three of her greatest films — CHINATOWN, NETWORK (for which she won an Oscar as Best Actress) and, of course, BONNIE AND CLYDE. They’re all rich screen experiences, and Dunaway gives them an emotional sweep that still takes your breath away.

Academy Award-winning actress Faye Dunaway will be present on opening day, Friday, April 19 to introduce screenings to two of her greatest films: BONNIE AND CLYDE (at 3:50 pm) and NETWORK, which is preceded by her writing and directorial debut, THE YELLOW BIRD (at 6:15 pm).

Our thanks to the Kobal collection for the use of their photographs.


NETWORK
Sidney Lumet, U.S., 1976; 121m
Dunaway won a well-deserved Oscar for her performance as a high-powered TV network executive, so high-powered that she has a very punctual orgasm before her wizened bed partner (William Holden) has time to take a breath. Given the onslaught of Reality-TV shows, Paddy Chayefsky’s caustic, amphetamine-driven satire looks more prescient than ever. Sidney Lumet, himself a veteran of live TV, gives it a terrific drive, and cinematographer Owen Roizman gives the movie just the right cold, glossy look. With Robert Duvall, Ned Beatty, Oscar winner Beatrice Straight, and Peter Finch, who also won an Oscar (posthumously, sad to say), as the "mad prophet of the airwaves."
preceded by
THE YELLOW BIRD
Faye Dunaway, U.S., 2001; 19m
Dunaway’s writing and directorial debut is a wildly inventive adaptation of a Tennessee Williams short story, about a young girl (Cynthia Watros) who leaves her tyrannical and bombastic preacher father (James Coburn) to start a life of her own in the city of sin, New Orleans. With Brenda Blethyn (Secrets and Lies) as her mother and the talented young Michael Pitt (Finding Forrester) as the object of her affection.
Fri April 19: 1 & 6:15

BONNIE AND CLYDE
Arthur Penn, U.S., 1967; 111m
Faye Dunaway and Warren Beatty took the world by storm with BONNIE AND CLYDE, and changed the face of American cinema forever — they made outlaw life look sexy and fun, and they became icons of a new, revolutionary youth culture. In fact, BONNIE AND CLYDE was such a cultural milestone that it’s easy to forget what a thrilling movie it is, as vibrant and exciting today as it was 35 years ago. With an altogether amazing cast that includes Gene Hackman, Academy Award winner Estelle Parsons, Michael J. Pollard, Dub Taylor and Gene Wilder. Brilliantly directed by Arthur Penn and written by Robert Benton and David Newman (with an uncredited Robert Towne).
Fri April 19: 3:50
Sat April 20: 9:30

CHINATOWN
Roman Polanski, U.S., 1974; 131m
Dunaway’s Evelyn Mulwray, the sultry widow with a big secret, remains one of the highlights of 70s cinema. Roman Polanski and Robert Towne’s tragic period murder mystery out of Chandler and Hammett is now an American classic, and it’s keyed to Dunaway’s delicate, tremulous performance as a woman who conceals profound pain beneath an inscrutable mask of seduction. Photographed by the late, great John A. Alonzo, whose work is so exquisite that you can practically smell the orange groves in 1930s Los Angeles. With Burt Young as the irate husband, John Huston as the terrifying patriarch Noah Cross, and, of course, Jack Nicholson as J.J. Gittes.
Fri April 19: 9:15
Sat April 20: 6:15
Sun April 21: 1:30

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