
An 11-year-old Polish boy, nicknamed Mongrel with casual cruelty,
escapes from his bleak foster home yearning to be back with his hard-drinking
mother. But she doesn’t want him; he’s a nuisance who gets in the
way of her bad romances. So he sets up a patchy homestead of his own on an abandoned
river barge, where he is befriended by a little girl no less lonely for having
a real family and house to return home to at night. As she showed in Nothing (1998)
and especially in The Crows (1994), Dorota Kedzierzawska has a rare
gift for working with children, allowing them to be themselves yet also, safely,
wholly invented characters within her troubling dramas. And while she draws from
them performances of great naturalism and flashes of pathos-free wit, her frequent
artistic collaborator Arthur Reinhart offsets the essential harshness of the
story with cinematography of disconcerting loveliness. 100 min. Poland, 2005. * Director expected to attend.
Click here for New York Times review and festival coverage.
Shown with
Istanbul: a German psychoanalyst who believes that "normalcy is an illusion" reunites with her ex-terrorist daughter after a long period of estrangement.
Click here to watch select short films from the
43rd New York Film Festival, available exclusively
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