2005 NYFF Good Night, and Good Luck Regular Lovers The Death of Mr. Lazarescu Methadonia L'Enfant (The Child) Avenge But One of My Two Eyes Bubble The Squid and the Whale I Am Capote Something Like Happiness Sympathy for Lady Vengeance Manderlay Tale of Cinema Breakfast on Pluto Through the Forest The President's Last Bang Who's Camus Anyway? Three Times Paradise Now Tristram Shandy Gabrielle The Sun The Passenger Cache (Hidden) Special Events Ticket Information Press Office		The 43rd New York Film Festival September 23 - October 9,2005 Sponsored by Sponsored by HSBC Private Bank, a division of HSBC USA, N.A., The New York Times, and Audi
			Bubble How does the protean Steven Soderbergh—the rare indie trailblazer inventive and confident enough to play in Hollywood on his own terms—follow up a glossy studio picture starring some of the world’s most glamorous movie stars? By shooting an absolutely riveting little tragedy in High Def in an Ohio doll factory, starring non-professional actors as enthralling in their untrained sincerity as George Clooney is in his expert panache. The stunted tale of doll-assembler Martha (an astonishing, sustained performance by real-life cashier Debbie Doebereiner), her young factory friend Kyle, and Rose, the thorny new hire, packs shades of mystery, menace, triangular romantic jealousy, and everyday punch-the-clock ennui into its documentary-style contours. And that’s even before the violent death…. This haunting experimental project is the first in a series of low-budget dramas Soderbergh plans to shoot around America.  72 min.  USA, 2005  A Magnolia Pictures Release. *Director expected to attend. Click here for New York Times review and festival coverage. Shown with Heydar, An Afghan In Tehran (Babak Jalali, Iran/UK, 2005, 18 min). Eager to return home to become and English translator, our hero bides his time caring for his master and hanging out in this slyly sweet slice of life. Click here to watch select short films from the 43rd New York Film Festival, available exclusively online at NYTimes.com